Music plays an integral role in Come From Away, with an onstage band playing music that draws from traditional Celtic songs, rock and roll, and Broadway pop. Musical Director David Nehls took on the challenge of coordinating all the different aspects of the music for this unique Broadway musical. Read more about how Nehls approached this production and then come hear this eclectic, wonderful music for yourself! Grab your tickets on the Come From Away webpage. Photos by Amanda Tipton. 

Q: Can you briefly explain what a Musical Director does?

A Musical Director/ Conductor has the responsibilities of teaching the music to the actors including all choral music, teaching the orchestra how to navigate the play, and then conducting the performances which is akin to driving the bus! We keep the show on the rails along with the stage management team. The Musical Director also works very closely with the Director and Choreographer in the prep time prior to rehearsals to ensure that all information will be given to all the artists involved in a cohesive manner.

Q: This musical is known for a blend of traditional Newfoundland, folk, and Broadway style rock. Can you talk to us about how you work to create something cohesive when there are various styles like this?

A: The music has a very earthy feel to it. It is fun to lean into all of the differing styles, though my approach is more story-driven than what is on the page. If we feel that there is a moment we can create in the room emotionally, I will support that with the music. 

Q: With the musicians playing on the stage, are there any unique challenges?

A: The challenges will be mostly in the sound department. We will be moving about on the stage quite a bit, so that means musicians will have to memorize songs like the actors do, which will be different for many of them. 

Q: What sorts of instruments can audiences expect to hear?

A: A lot of different percussion sounds, fun whistles, and lots of mandolin and guitar. It is reminiscent of A Man Of No Importance which we did at the Center in 2014. There is a bit of an Irish flair to this show as in that one as well.

Q: Are there any ways the music of the Arvada Center production differs from the Broadway version? 

A: There are times where we may lessen the orchestration to enhance lyrics. I am a big stickler that when we work in the regional productions, we are not trying to replicate a Broadway production since we do not have the exact company members, venues or budgets. I like to find intimate moments that might not exist in a big Broadway theatre to make each local production have our own energy, while being true to the original piece.